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Entering through the Porta dos Fundos: The Changing Landscape of Brazilian Television Fiction

机译:通过Porta dos Fundos进入:巴西电视小说的风云变幻

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Brazil is both a leading television producer in the Global South and home to TV Globo, one of the largest and most commercially successful networks in the world. Indeed, for nearly fifty years of its sixty-five year history, TV Globo and its standardized production of extremely popular telenovelas have largely come to characterize Brazilian television fiction as a whole. In this article, I situate the meteoric rise of the independent production company and YouTube sensation, Porta dos Fundos, within the broader context of TV Globo's declining audience share and the wide-ranging effects of the Pay Television Law (2011). In doing so, I argue that Porta dos Fundos's audiovisual production for the Internet and prime-time television serves as an illustrative case for understanding the interrelated ways in which recent policy, new distribution platforms, emerging independent production companies, and an influx of locally produced content are helping to shape the changing landscape of Brazilian television fiction as it transitions out of a six-decade-long network era.
机译:巴西既是全球南方地区领先的电视生产国,又是全球最大,商业上最成功的电视网络之一环球电视台的所在地。确实,在其65年的历史中将近50年的时间里,Globo电视台和其极受欢迎的电视小说的标准化制作已成为巴西电视小说整体的特征。在本文中,我将独立制片公司的兴起和YouTube的轰动推向高潮,这是因为TV Globo的观众份额下降以及《收费电视法》(2011年)产生了广泛影响。在此过程中,我认为Porta dos Fundos为互联网和黄金时段电视制作的视听作品可作为说明性的案例,以了解相互关联的方式,其中包括最近的政策,新的发行平台,新兴的独立制作公司以及大量本地制作的电影。内容已经转变为长达六个十年的网络时代,正在帮助塑造巴西电视小说不断变化的格局。

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