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Non-anthropocentric creative mechanisms in multispecies symbiotic assemblages

机译:多物种共生组合中的非人类中心创造机制

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'So well established was the cliche which connected TB and creativity that at the end of the century one critic suggested that it was the progressive disappearance of TB which accounted for the current decline of literature and the arts'. Some biochemical evidence does indeed invite a hypothesis that M. tuberculosis originally joined the human holobiont as a brain evolution-enhancing endosymbiont, thus possibly contributing towards the development of human consciousness and creative potential. Exploring the complexity of mycobacteria's entanglements within human corporeality leads us to questions that challenge anthropocentric conceptions of creativity in a twofold manner. As noted above, the tubercle bacillus forms machinic assemblages and operates as an endosymbiont with human bio-systems. It is possible that these endosymbiotic assemblages contribute towards human creativity and destabilize simple notions of its origin. In a double reflection, the concept of creativity itself could be revisited along alternative lines: it can no longer be considered only as the production of human cultural artefacts and experiences, but rather it can be understood as ubiquitous activity performed by heterogeneous highly dynamic machinic assemblages (comprising of human, animal, computational, social, molecular, bacterial, viral and other processes), which lead to the production of novel modes of existence.
机译:“将结核病与创造力联系在一起的陈词滥调十分成熟,以至于本世纪末,一位批评家认为结核病的逐步消失是造成当前文学和艺术衰落的原因。”一些生化证据确实确实提出了这样一种假设,即结核分枝杆菌最初作为人类大脑内共生体的结合而加入了人类全能者,因此可能有助于人类意识和创造潜能的发展。探索分枝杆菌纠缠在人类体内的复杂性,使我们面临以双重方式挑战以人类为中心的创造力观念的问题。如上所述,结核杆菌形成人机融合体,并作为人类生物系统的共生菌起作用。这些内共生组合可能有助于人类创造力,并破坏其起源的简单观念。双重反思是,创造性的概念本身可以用替代的方式重新审视:它不再被视为仅是人类文化艺术品和经验的产生,而是可以理解为由高度动态的异质机器组合所进行的无处不在的活动。 (包括人,动物,计算,社会,分子,细菌,病毒和其他过程),这导致了新的生存方式的产生。

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