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'People take for granted that you know how to dance Salsa and Merengue': transnational diasporas, visual discourses and racialized knowledge in Sweden's contemporary Latin music boom

机译:“人们认为您会跳舞莎莎和梅伦格舞是理所当然的事”:瑞典当代拉丁音乐热潮中的跨国侨民,视觉话语和种族化知识

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In recent years US-based Latin culture has gained worldwide popularity through artists such as Jennifer Lopez, Shakira and Ricky Martin. Taking the national context as an emerging vantage point from which to consider globalization processes, this article explores the growing popularity of 'Latin music' as a specific contemporary expression of global popular culture and its impact on young Latina women's everyday lives and identity work in Sweden. Based on interviews and focus group discussions with 29 high school young Latina women between 14-20 years of age, born and/or brought up in Sweden, the article examines how musical arenas and their appeal to hybrid identities are construed in contemporary articulations of commodity cultures and representations. In the particular context of Sweden, the article looks at how young Latina women negotiate popular representations of latinidad through an intentional and unintentional embodiment of these images. It is argued that while visual discourses and representations of popular culture tend to fix young women in preconceived ideas of ethnicity, race and gender, the young women themselves find a myriad of ways of reconstructing stereotyping ideas and creating diasporic links with other Latino/a diasporas, especially in the United States.
机译:近年来,美国的拉丁文化通过詹妮弗·洛佩兹(Jennifer Lopez),夏奇拉(Shakira)和里奇·马丁(Ricky Martin)等艺术家而在世界范围内获得普及。本文以国家背景为出发点,考虑全球化进程,探讨了“拉丁音乐”作为全球流行文化在当代的一种特定表现形式的日益流行,以及对瑞典年轻拉丁裔妇女的日常生活和身份认同工作的影响。 。根据对29位14-20岁,在瑞典出生和/或长大在瑞典出生和/或成长的拉丁裔高中青年的访谈和焦点小组讨论的基础,本文研究了如何在当代商品表述中解释音乐舞台及其对混合身份的吸引力文化和表征。在瑞典的特定情况下,本文着眼于拉丁裔年轻女性如何通过有意和无意地体现这些形象来协商拉丁裔的流行代表。有人认为,虽然视觉话语和流行文化的表现倾向于使年轻妇女固守在种族,种族和性别等先入为主的观念中,但年轻妇女本身发现了无数种重构定型观念和与其他拉丁裔/散居者之间建立移民联系的方式。 ,尤其是在美国。

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