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Kathryn Lynch: The everyday becomes evocative in the hands of this New York City artist

机译:凯思琳·林奇(Kathryn Lynch):这位纽约市艺术家的日常生活变得令人回味

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Kathryn Lynch wrinkles her nose when people refer to her work as landscape painting. "That's like something you get at a tag sale," says the New York City-based artist, who is more likely to align herself with tortured Expressionistic painters like Francis Bacon and Frank Auerbach than masters of the pastoral Hudson River School. Though her large, moody canvases show the beach outside her Long Island summer house on Shelter Island and the skyline viewed from her SoHo studio, Lynch regards her images as abstract rather than realistic. In a process she calls "a combination of remembering and forgetting," she collects visual data from her daily surroundings, then transforms it into dreamlike depictions.
机译:当人们称她的作品为山水画时,凯思琳·林奇(Kathryn Lynch)皱起了鼻子。这位纽约艺术家说:“这就像是在标价拍卖中获得的东西。”与牧师哈德逊河学校的主人相比,他更可能与像弗朗西斯·培根和弗兰克·奥尔巴赫这样的表现主义画家保持一致。尽管她那幅喜怒无常的大画幅显示了她在Shelter Island长岛避暑别墅外的海滩和从她的SoHo工作室看到的天际线,但Lynch认为她的图像是抽象而非真实的。在这个过程中,她称其为“记住和遗忘的结合”,她从日常环境中收集视觉数据,然后将其转换为梦幻般的描绘。

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  • 来源
    《Elle Decor》 |2009年第6期|32-32|共1页
  • 作者

    Manura Egan;

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