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The Medium Is the Message

机译:媒体是消息

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When multimedia artist Sanford Biggers was approached by the rug company Henzel Studio about a collaboration, he was no stranger to textiles, having previously used fabrics in his work. However, his design for Henzel marks the first time Biggers has ever treated a rug like a canvas. As the basis for this project, Biggers chose a drawing he made in the early 2000s, influenced by sumi-e ink-wash paintings and Buddhist thangkas, traditional paintings on fabric. "I thought the material might be able to catch the nuances of the original drawing," he explains. The finished hand-knotted, Persian-weave rug, titled Ibeji (Duet), features twin carved figures from Yoruba culture that are thought to possess spiritual powers. As is the tradition with Henzel's ongoing artist series, Biggers received creative carte blanche. "The invited artists are free to disregard all design principles and rules," says Joakim Andreasson, the program's curator.
机译:当Multimedia艺术家桑福德大师在地毯公司Henzel Studio关于合作时,他对纺织品并不陌生,在他的工作中具有以前使用的面料。然而,他为Heeneel Marks的设计第一次大奖格已经过一个像画布一样的地毯。作为该项目的基础,大奖格选择了他在2000年代初制作的绘图,受到Sumi-E墨水清洗绘画和佛教Thangkas的影响,在织物上的传统绘画。 “我认为材料可能能够抓住原来绘图的细微差别,”他解释道。完成的手鼓,标题为IBEJI(DUET),具有来自Yoruba文化的双胞胎雕花图,这些数字被认为具有精神力量。与Heenel正在进行的艺术家系列的传统一样,Biggers收到了创意的Carte Blanche。 “邀请艺术家可以自由地忽视所有设计原则和规则,”该计划的策展人Joakim Andreasson说。

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    《Elle Decor》 |2021年第2期|116-116|共1页
  • 作者

    Kate McGregor;

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