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Nordic Nostalgia and Nordic Light: the Swedish model as Utopia 1930-2007

机译:北欧怀旧和北欧之光:瑞典模式为Utopia 1930-2007

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In the last decade, Sweden has emerged on the other side of the 1990s crisis with, if not its self-image intact, then at least a reasserted confidence as, once again, the most modern country in the world. Crisis management in the 1990s seemed to have succeeded. The Swedish bumblebee - the unthinkable animal that flies despite its high taxes and large public sector - flew again. The 'Swedish model' was back after a decade as the punch bag of neoliberalism. Throughout the European centre left - from the debate on the European social model to Sgolne Royal and Gordon Brown - Sweden has reemerged as 'Nordic light', proof that a better world is possible. This reappraisal in the eyes of the world has paradoxical consequences in Sweden, since it seems to overwrite the uncertainty and insecurity of crisis with assertion and confidence, while leaving many questions unanswered. It also leads to new definitions of what Sweden is. The paper suggests that Sweden post-1990s suffers from a particular kind of nostalgia, in which the famous Model emerges as a kind of paradise lost with uncertain links both to past and future. While Sweden yet again becomes the utopia of others, it is a kind of future past to itself.
机译:在过去的十年中,瑞典走上了1990年代危机的另一端,即使它的自我形象仍然完好无损,也至少重新确立了人们的信心,它再次成为世界上最现代化的国家。 1990年代的危机管理似乎已经成功。瑞典大黄蜂-一种难以想象的动物,尽管其高额税收和庞大的公共部门仍能飞翔-再次飞过。 “瑞典模式”作为新自由主义的重拳出击十年后又回来了。从关于欧洲社会模式的辩论到Sgolne Royal和Gordon Brown的整个欧洲中心,瑞典重新崛起为“北欧之光”,证明了更美好的世界是可能的。在世界范围内,这种重新评估在瑞典产生了自相矛盾的后果,因为它似乎用断言和自信覆盖了危机的不确定性和不安全感,同时还留下了许多未解决的问题。这也导致了对瑞典的新定义。该论文表明,1990年代后的瑞典怀有一种特殊的怀旧情怀,其中著名的“模特”成为一种失去了与过去和未来的不确定联系的天堂。尽管瑞典再次成为其他国家的乌托邦,但这是对自身的一种未来。

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