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Imagined moves

机译:想像的动作

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It's disconcerting when you walk into an art gallery and one of the exhibits moves towards you. That's what happens at Space Shifters, the new exhibition of spatial perception-challenging art from the last half century at the Hayward Gallery. Here visitors encounter 20 artworks that act as 'optical devices' to redirect how we see space, including Josiah McElheny's aforementioned Interactive Abstract Bodies, a series of mirrored mobile sculptures worn a bit like sandwich boards by performers moving around the gallery in carefully choreographed steps. From the distorted reflections of Anish Kapoor's stainless steel Non-Object (Door) to Richard Wilson's unsettling 20:50 room full of sump oil, this playful exhibition is a crowd pleaser that invites interaction. There is a lot of movement - sometimes by the artwork itself but more often by the visitor, who is encouraged to navigate the piece.
机译:当您走进美术馆并且其中一个展品向您迈进时,这真令人不安。这就是上半个世纪在海沃德美术馆举办的新作品“空间转移者”(Space Shifters)中发生的事情。在这里,参观者会遇到20幅用作“光学装置”的艺术品,以重新引导我们如何看待空间,其中包括约西亚·麦克埃尔尼(Josiah McElheny)提到的“互动抽象身体”,一系列镜像移动雕塑,表演者以精心设计的步骤在画廊中移动,穿得像三明治板。从Anish Kapoor的不锈钢“非对象”(门)的扭曲反射到Richard Wilson令人不安的充满油底壳的20:50房间,这个有趣的展览吸引了众多观众,并吸引了人们的互动。动作很多-有时是艺术品本身,但更多地是游客被鼓励,他被鼓励浏览作品。

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  • 来源
    《RIBA Journal》 |2018年第11期|79-79|共1页
  • 作者

    Pamela Buxton;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 04:01:46

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