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Going on an outing: the historic house and queer public history

机译:进行郊游:历史悠久的房屋和奇特的公共历史

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Using the metaphor of ghosting, this article examines the ways in which lesbian, gay, queer (and other) visitors have looked for sexual dissidence in historic houses and their former inhabitants by exploring the complicated processes through which visitors both identify with those queer past lives, and experience a sense of otherness or historical distance from them. It focuses in particular on two sites: Plas Newydd, home of the Ladies of Llangollen; and Sissinghurst, the garden created by writer Vita Sackville-West and her husband Harold Nicolson. The article questions the distinction (and often implicit hierarchy) made by academic historians between identification and queering, between similarity and otherness, in public history. Identifying historical figures as having had same-sex relationships is important in constructing a sense of selfhood for many queer women and men. Visiting a significant historic site can therefore be seen as an act of pilgrimage. Yet ghostly hints of the otherness (or alterity) of the past are inherent in the complexity of the historic house. This dissonance is provoked by contrary interpretations of the household's past found in biographies or published diaries of former residents, guidebooks and exhibition displays about their lives, and the interpretation strategies of curators. The materiality and spatial qualities of the old building create further narrative complexity, inevitably reflecting both distinct layers of time, and domestic layouts which support or challenge an assumed story of interior family life. These complex possible readings overlap to disrupt heteronormative presumptions about the historic house and instead reveal elements of queer domesticity.View full textDownload full textKeywordsqueer history, historic houses, heritage, public history, gender, BritainRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13642529.2011.564816
机译:本文使用鬼影的隐喻,考察了女同性恋,男同性恋,酷儿(和其他)访客在历史悠久的房屋及其前居民中寻找性异见的方式,方法是探究访问者双方都认同那些过世者的复杂过程,并与他们有别样或历史的距离。它特别关注两个地点:兰戈伦女士之家Plas Newydd;还有Sissinghurst,由作家Vita Sackville-West和她的丈夫Harold Nicolson创建的花园。文章质疑学术史学家在公共历史上在识别和酷儿之间,在相似性和其他性之间的区别(通常是隐含的等级)。确定历史人物是否具有同性关系,对于许多男女同性恋者建立自我意识很重要。因此,参观重要的历史古迹可被视为朝圣。然而,关于过去的另类(或改变)的鬼影暗示是这座历史建筑的复杂性所固有的。这种不和谐的产生是由于对传记的反演解释或对前居民的日记,对他们的生活的指南和展览展示以及策展人的解释策略所引起的对家庭过去的相反解释。老建筑的物质性和空间品质进一步加剧了叙事的复杂性,不可避免地反映了不同的时间层次以及支持或挑战室内家庭生活假设的家庭布局。这些复杂的可能的读数相互重叠,破坏了有关这座历史建筑的异规范假设,反而揭示了酷儿家庭的元素。查看全文下载全文”,services_compact:“ citeulike,网络振动,微博,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13642529.2011.564816

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  • 来源
    《Rethinking History》 |2011年第2期|p.189-207|共19页
  • 作者

    Alison Orama*;

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