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机译:社论

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When I first began using major reference libraries for research 20 or more years ago it was always reassuring to find familiar reference works on the shelf. Where it was necessary to venture into the literature section, which was always with some trepidation as this is not the editor's natural habitat, two major sets frequently acted as pilot beacons. One would be the subdued blue spines of the massed volumes of Dictionary of Literary Biography and the other the far more visually striking spines of Contemporary Authors with their bold blue, pale orange, red and black covering. Familiar reference series become such good friends that they can easily be taken for granted. This has been the case with Contemporary Authors and Reference Reviews. In 22 years of publication we have not once reviewed either a single volume or the entire series. When I became aware earlier this year that the series had reached the milestone of its 250th volume, I decided that we should both redress our previous neglect and commemorate a momentous achievement by offering a review which Stuart James has skilfully provided in these columns (RR 2008/304).
机译:当我20年前或更早开始使用主要参考图书馆进行研究时,总是很放心地在货架上找到熟悉的参考文献。在有必要涉足文学部分的情况下,这总是让人有些不安,因为这不是编辑者的自然栖息地,经常有两个主要的集会充当试验信标。一种是在《文学传记大辞典》(Dictionary of Literary of Biography)中淡化的蓝色刺,另一种是当代作者在视觉上更为醒目的刺,上面涂有大胆的蓝色,浅橙色,红色和黑色。熟悉的参考丛书成为好朋友,可以很容易地将其视为理所当然。当代作者和参考评论就是这种情况。在发布的22年中,我们一次也没有评论过单个或整个系列。当我今年早些时候意识到该系列已达到其第250卷的里程碑时,我决定我们应该纠正以前的疏忽,并通过提供Stuart James在这些专栏文章中巧妙提供的评论来纪念一项重大成就(RR 2008 / 304)。

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