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Rock art of the upper Lluta valley, northernmost of Chile (South Central Andes): A visual approach to socio-economic changes between Archaic and Formative periods (6,000-1,500 years BP)

机译:智利最北端(安第斯中部南部)的卢塔河谷上游的岩石艺术:古代和形成时期(6,000-1,500年BP)之间社会经济变化的可视化方法

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Though they are generally characterized on the basis of faunal remains or lithic industries, in the highlands of northernmost Chile, the cultural aspects of the socio-economic changes, between Archaic and Formative periods (6000–1500 years BP), from hunter-gatherer to pastoral modes of life, a consequence of the domestication of camelids, can be discussed through the numerous scenes painted on the stone surfaces of rock shelters. The originality of these representations lies in the precision with which certain practices are represented, and in the socio-economic and symbolic relationships that between humans and animals, specifically with the camelids of the Andes. The present study is based on the analysis of these scenes, with the human-animal relationship, and the graphic superpositions, at six rock-art sites in the upper Lluta valley inprecordilleraor andean foothill, of the northernmost of Chile. We observe that the technical investment and the objective of the scenes become increasingly complex and focused on the control and possible protection of the animal. In the absence of archaeological contexts related to domestication in this region of the South Central Andes, this new study provides an innovative approach to the progressive changes of practices related to animal management, several hundreds of miles from the area wherein situdomestication is evidenced.
机译:尽管它们通常根据动物遗骸或石器产业来表征,但在智利最北部的高地,从猎人期到采集期(从6000到1500年BP)的古代和形成时期之间,社会经济变化的文化方面骆驼驯化的结果是一种田园生活模式,可以通过在岩石掩体的石头表面上绘制的众多场景来讨论。这些表述的独创性在于表述某些实践的精确度,以及人与动物之间,特别是与安第斯山脉的骆驼科动物之间的社会经济和象征关系。本研究是基于对这些场景的分析,包括人与动物之间的关系以及图形叠加,它们位于智利最北端的安达斯山麓和丘陵山上的卢塔河谷上游的六个岩石艺术遗址。我们观察到,技术投入和场景的目标变得越来越复杂,并且集中在动物的控制和可能的保护上。在安第斯中部南部地区没有与驯化有关的考古环境的情况下,这项新研究为与动物管理有关的做法的逐步变化提供了一种创新的方法,该方法距证明拟定化的地区几百英里。

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