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True confessions: why I left a traditional liberal arts college for the sins of the big city

机译:真正的告白:为什么我为大城市的罪恶离开了传统的文理学院

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Purpose - By means of several auto-ethnographic stories (including a scene from a working script for a proposed film), the author interrogates numerous ideas and misconceptions about gay youth, both past and present A "bargain of silence" sometimes following gay sexual encounters in youth is described. The paper aims to discuss these issues. Design/methodology/approach - The author recounts a sexual experience with a male college student in his past. This dissonance catapulted the author to move from his small liberal arts college to the city and begin his education again at an art college. Findings - The author then describes his personal attraction to a 16-year-old boy who lived near his lodgings during one summer's break from art college This time, the relationship remained purely platonic, but that did not seem to matter where the boy's parents were concerned. The author's social position and pretence coupled with his romantic outlook convinced him that anything was possible, even this platonic love. The painful lesson learned that summer was that this was not the case, and never would be. The boy's parents threatened Jones, and he never saw the youth again. The author continues by discussing his award-winning research-based film, Rufus Stone, and the reactions and conversations following screenings, particularly with youth. This present generation seems to Jones to be a sexually ambivalent one, more comfortable with multiple choices or no choice at all. Nonetheless, these young people do identify with the complexity of feelings and insecurities presented by youth within the film. Research limitations/implications - In a recent report on sexuality of American high school students by the Center for Disease Control, researchers found an ambivalence and "dissonance" amongst youth regarding sexuality and choice. The author acknowledges that there remains a contemporary problem of genuine acceptance by society, and that there still is work to be done. He also admits that present-day attitudes by youth regarding sexuality are one that he had previously assumed to be historical ones. Originality/value - Being straight or being gay can be viewed within the wider culture's need to set up a sexual binary and force sexual "choice" decision-making for the benefit of the majority culture. Through the device of the fleeting moment, this essay hopes to interrogate the certainties and uncertainties of the "norms" of modernity by portraying sexuality in youth.
机译:目的-通过几个自传的民族志故事(包括拟制电影的工作剧本中的场景),作者审视了关于同性恋青年的许多想法和误解,无论是过去还是现在。在青年时期有描述。本文旨在讨论这些问题。设计/方法/方法-作者讲述了过去与男大学生发生的性经历。这种不和谐使提交人从他的小型文科学院搬到了这座城市,并再次在一家艺术学院接受教育。调查结果-作者然后描述了他对16岁男孩的个人魅力,该男孩在一个美术学院的一个暑假期间住在他的住所附近。这次,这种关系纯属柏拉图式的,但这与男孩的父母在哪里并不重要关心。作者的社会地位和假装,加上他浪漫的外表使他相信,即使是柏拉图式的爱,一切皆有可能。痛苦的教训是,夏天不是这样,而且永远不会这样。这个男孩的父母威胁琼斯,他再也见不到这个年轻人了。作者继续讨论他屡获殊荣的研究型电影Rufus Stone,以及放映后的反应和对话,尤其是与青年人的对话。在琼斯看来,这一代人是一个性矛盾的人,对选择或根本没有选择感到更自在。尽管如此,这些年轻人的确认同电影中年轻人所表现出的复杂感和不安全感。研究的局限性/意义-疾病控制中心在一份有关美国高中生性行为的最新报告中,研究人员发现年轻人在性行为和选择方面存在矛盾和“不和谐”。作者承认,目前仍然存在社会真正接受的问题,还有很多工作要做。他还承认,青年对当今性的态度是他以前认为是历史性的态度。独创性/价值-可以在更广泛的文化中建立异性恋关系并强迫性“选择”决策,以造福多数文化,这可以看作是异性恋或同性恋。通过转瞬即逝的方式,本文希望通过刻画年轻人的性行为来质疑现代性“规范”的确定性和不确定性。

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