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The global financial crisis and its aftermath: a perspective from fiction

机译:全球金融危机及其后果:从小说中的一个视角

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Purpose - Since the global financial crisis of 2007-2009 academic research has paid considerable attention to understanding the nature of the crisis, its causes and consequences. This is not surprising given the scale and scope of the crisis. Much of this research has been undertaken within social science disciplines. At the same time, the crisis has also been the subject of fiction - novels, poetry and drama, and there is also a small body of academic scholarship on fiction relating to the crisis (and on finance in fiction more generally). The purpose of this paper is to suggest that fiction can offer a new perspective on the global financial crisis and thereby enhance our understanding of it.Design/methodology/approach - This exploration draws upon three works of post-crisis fiction: the 2009 play by David Hare, The Power of Yes: A Dramatist Seeks to Understand the Financial Crisis (hereafter The Power of Yes); Other People's Money, a novel by Justin Cartwright (2011); and Robert Harris's novel The Fear Index also published in 2011. Its approach is based on close readings of the three texts in question.Findings - Finance fiction stimulates a reconceptualization of the global financial crisis as a crisis of innovation and technological change.Originality/value - This paper is a viewpoint article. The originality lies in the author's interpretation of reading the global financial crisis through fiction.
机译:目的 - 自2007-2009的全球金融危机以来,学术研究已经关注了解危机的性质,其原因和后果。鉴于危机的规模和范围,这并不奇怪。在社会科学学科中进行了大部分研究。与此同时,危机也是小说 - 小说,诗歌和戏剧的主题,还有一个小型的学术奖学金与危机有关的小说(以及普遍存在的金融)。本文的目的是建议小说可以对全球金融危机提供新的视角,从而提高了我们对IT的理解.Design/Methodology/Approach - 这项探索在危机后小说的三个作品上提出:2009年大卫野兔,是的力量:戏剧主义者寻求了解金融危机(以后的是是的);其他人的钱,贾斯汀特克人的一部小说(2011);罗伯特·哈里斯的新颖恐惧指数在2011年出版。其方法是基于题目的三个文本的密切阅读。财务小说刺激了全球金融危机的重新化,作为创新和技术变革的危机。民间/价值 - 本文是一个观点文章。原创性在于提交人通过小说阅读全球金融危机的解释。

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