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Framing and bias in CO_2 capture and storage communication films: Reflections from a CO_2 capture and storage research group

机译:CO_2捕获和存储通信电影中的框架和偏见:来自CO_2捕获和存储研究小组的思考

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摘要

There has been a growing trend towards incorporating short, educational films as part of research funding and project proposals. Researchers and developers in CO_(2)capture and storage are using films to communicate outcomes, but such films can be influenced by experiences and values of the producers. We document the content and presentation of seven online CO_(2)capture and storage films to determine how framing occurs and its influence on the tone of films. The core frame presents CO_(2)capture and storage as a potential solution to an imminent crisis in climatic warming and lack of a sustainable energy supply. Three subsidiary frames represent CO_(2)capture and storage as (1) the only option, (2) a partial option or (3) a scientific curiosity. The results demonstrate that an understanding of the nuanced explicit and implicit messages portrayed by films is essential both for effective framing according to one’s intention and for wider public understanding of a field.
机译:将短片,教育性电影纳入研究资金和项目建议书的趋势正在增长。 CO_(2)捕获和存储的研究人员和开发人员正在使用影片来传达结果,但是此类影片可能会受到制作人的经验和价值的影响。我们记录了七部在线CO_(2)捕获和存储电影的内容和演示文稿,以确定成帧如何发生及其对电影色调的影响。核心框架提供了CO_(2)的捕获和存储,以解决即将到来的气候变暖和缺乏可持续能源供应的危机。三个辅助框架将CO_(2)捕获和存储表示为(1)唯一选择,(2)部分选择或(3)科学好奇心。结果表明,对于电影所刻画的细微差别的显性和隐性消息的理解,对于根据一个人的意图有效地构图以及对一个领域的广泛公众理解都是必不可少的。

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