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The laureate as celebrity genius: How Scientific American's John Horgan profiled Nobel Prize winners

机译:作为名人天才的获奖者:《科学美国人》的约翰·霍根(John Horgan)如何描述诺贝尔奖获得者

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When scientists become Nobel laureates, they become famous in science and public life, but few studies have examined the nature of their scientific celebrity. This article examines how Scientific American portrayed laureates in order to identify and explain core features of Nobel fame. It examines the portrayals of seven laureates – Francis Crick, Linus Pauling, Hans Bethe, Murray Gell-Mann, Brian Josephson, Philip Anderson and Subrahmanyan Chandrasekhar – in magazine profiles written between 1992 and 1995 by science writer John Horgan. Its textual analysis finds the scientists are portrayed as combining the sociological characteristics of genius, including enormous productivity and lasting impact, with the representational characteristics of celebrities, such as the merging of public and private lives. Their form of scientific celebrity is grounded in their field-changing research, which is presented as a product of their idiosyncratic personalities. Nobel science is presented as knowledge created by an ultra-elite of exceptional individuals.
机译:当科学家成为诺贝尔奖获得者时,他们在科学和公共生活中就广为人知,但很少有研究检查其科学名人的性质。本文研究《科学美国人》如何描绘获奖者,以识别和解释诺贝尔奖的核心特征。它在1992年至1995年间由科学作家约翰·霍根(John Horgan)撰写的杂志简介中,考察了七位获奖者的形象-弗朗西斯·克里克(Francis Crick),利纳斯·鲍林(Linus Pauling),汉斯·贝特(Hans Bethe),穆雷·盖尔曼(Murray Gell-Mann),布莱恩·约瑟夫森(Brian Josephson),菲利普·安德森(Philip Anderson)和Subrahmanyan Chandrasekhar。它的文本分析发现,科学家被描绘成将天才的社会学特征(包括巨大的生产力和持久的影响)与名人的代表性特征(例如公共和私人生活的融合)相结合。他们的科学名人形式基于他们不断变化的研究,这些研究是他们特有个性的产物。诺贝尔科学是由超卓杰出人士创造的知识而提出的。

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