首页> 外文期刊>日本建築学会计画論文集 >MEANING OF “SUTEMI HORIGUCHI ARCHITECT” IN “JAPANESE PAVILION FOR THE FOURTH CENTENNIAL OF SAO PAURO” A study of the way about discourses by Hiroshi Ohe architect
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MEANING OF “SUTEMI HORIGUCHI ARCHITECT” IN “JAPANESE PAVILION FOR THE FOURTH CENTENNIAL OF SAO PAURO” A study of the way about discourses by Hiroshi Ohe architect

机译:“圣保罗第四百周年日本馆”中“ SUTEMI HORIGUCHI ARCHITECT”的含义研究大贺浩史建筑师的话语方式

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摘要

March in 1954, Hiroshi OHE architect was requested to supervising of “Japanese pavilion for the fourth cenetenial of Sao Pauro” from Sutemi HORIGUCHI architect. H.OHE has been recognised S. HORIGUCHI as his teacher, and this pavilion was desi --gned by him. In September, H. OHE came back to Japan. By this work, they were awa --ked in responses on the spot, either they were given rise to controversies. H. OHE ascertain a meaning of this work. about relation between ideal strictness on Modern architecture and tradition on Japanese architecture. In after Second War, when we must grope for the way of Japanese future, we should be found a inner-dy namism of H. OHE's ideal-format ion as architect through in this work.
机译:1954年3月,OHE浩史建筑师受邀监督SOUTMI HORIGUCHI建筑师的“圣保罗四世百年纪念日本馆”。 H.OHE被公认为S. HORIGUCHI为他的老师,这个亭子由他设计。 9月,H。OHE回到日本。通过这项工作,他们被当场唤醒,或者引起了争议。 H. OHE确定这项工作的意义。关于现代建筑的理想严格性与日本建筑的传统之间的关系。在第二次世界大战之后,当我们必须摸索日本的未来之路时,通过这项工作,我们应该发现H. OHE作为理想建筑师的内在动力。

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