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A Flock of Pixels

机译:一群像素

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摘要

Anyone who experienced the '80S and lived to tell the tale knows the era of boomboxes and break-dancing was defined by neon shades and 8-bit arcade games. Similarly, graphic design was as colorful as it was coarse during the 1980s. Although Adobe's PostScript technology would eventually give designers the ability to render smooth vector graphics, viewers became accustomed to seeing "stair-stepped" edges on com- puter displays and televisions, and in magazines such as Emigre. Colorful and hard-edged graphics also plastered MTV in between its music videos, and gamers saw them on consoles that they'd hook up to multichannel and cable-equipped televisions.
机译:任何经历过80年代并活着讲述故事的人都知道,音箱和霹雳舞的时代是由霓虹灯罩和8位街机游戏定义的。同样,图形设计的色彩与1980年代粗糙的色彩一样多。尽管Adobe的PostScript技术最终将使设计师具有渲染平滑的矢量图形的能力,但观众已经习惯于在计算机显示器,电视和Emigre等杂志上看到“阶梯状”的边缘。彩色和硬边的图形还在其音乐视频之间贴上了MTV,游戏玩家在控制台上看到了它们,它们可以连接到多频道和带有电缆的电视上。

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  • 来源
    《Print》 |2014年第3期|58-6365-67|共9页
  • 作者

    Jason Tselentis;

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