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Japanese Devils and American Wolves: Chinese Communist Songs from the War of Liberation and the Korean War

机译:日本魔鬼和美国狼:解放战争和朝鲜战争中的中共歌曲

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This article analyzes anti-American songs from China's protean mobilization for the Korean War. After constructing the historical context of Maoist attitudes toward music and exploring Japan's role as an idée fixe for Chinese song, the article arrives at the Korean War via an analysis of song tunes and texts from the Chinese home front in 1950, emphasizing the role of wolf and devil imagery in anti-American song propaganda. From student amateurs to the conservatory administrator Ma Ke, song composers under communist rule used music and lyrics to drape China's new American enemies in the garb of past Japanese foes, suggesting that Chinese songs from the Korean War extend beyond buoyant patriotism, evoking past traumas and prefiguring the animistic fury of the Cultural Revolution.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/03007760903143028
机译:本文分析了中国为朝鲜战争动员的千变万化的反美歌曲。在建构了毛主义对音乐态度的历史背景并探索了日本作为中国歌曲的身份修复者之后,这篇文章通过对1950年中国家庭战线的歌曲曲调和文本进行分析,得出了朝鲜战争的观点,强调了角色反美歌曲宣传中的狼与魔鬼形象。从学生业余爱好者到音乐学院的负责人马可,在共产党统治下的作曲家都用音乐和歌词将中国的新美国敌人笼罩在过去的日本敌人的束缚中,这表明朝鲜战争的中国歌曲不仅超越了蓬勃的爱国主义,还引起了过去的创伤和预示着文化大革命的万物有灵的愤怒。更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/03007760903143028

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