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Digitization, Multiplatform Texts, and Audience Reception

机译:数字化,多平台文本和受众接待

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This article reflects on the consequences of digitization for multiplatform television/media production, the ways in which it affects textual expressions, and how this might have a bearing on changing audience roles. It takes its departure empirically from two Swedish examples of multiplatform production: The Truth About Marika and Labyrint, produced by SVT and TV4, respectively. It is argued that multiplatform media texts challenge our conceptions of categories such as work, text, program, etc., and, following from that, also challenge our notions of audience activity and engagement.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/15405700903502353
机译:本文介绍了数字化对多平台电视/媒体制作的影响,数字化对文本表达的影响方式以及它如何影响不断变化的观众角色。它从经验上脱离了两个瑞典的多平台生产示例:分别由SVT和TV4制作的《关于玛丽卡的真理》和《拉比林特》。有人认为,多平台媒体文本挑战了我们对工作,文本,程序等类别的概念,随之而来的是,也挑战了我们的受众活动和参与度的概念。查看全文下载全文相关的var addthis_config = {ui_cobrand: “泰勒和弗朗西斯在线”,services_compact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/15405700903502353

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