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首页> 外文期刊>Performance Research >When Failure Means Success: Music, movement, ritual and facilitation with Middle East youth and UCLA students: A Dialogue between John Wesley Days, Jr. & Sonja Arsham Kuftinec
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When Failure Means Success: Music, movement, ritual and facilitation with Middle East youth and UCLA students: A Dialogue between John Wesley Days, Jr. & Sonja Arsham Kuftinec

机译:当失败意味着成功时:与中东青年和UCLA学生的音乐,运动,仪式和便利:约翰·韦斯利·戴斯(John Wesley Days,Jr.)和索尼亚·阿萨姆·库沙芬(Sonja Arsham Kuftinec)之间的对话

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In their dialogue, Wesley Days and Sonja Arsham Kuftinec discuss their work as arts-informed facilitators working with Arab and Israeli youth at a camp in Maine and with Days’ students at the University of California, Los Angeles. The article focuses on Days's model of facilitation, which is informed by the Afro-Brazilian spiritual practice of Candomble and the ritual of Capoeira. Days proposes that music, movement, and ritual creates a container in which the energies of conflict find new forms and understandings. Within this framework, the facilitator-as-teacher operates more as a disorienting guide than source of expertise, dramaturging the experience of the participants through the energies of the Afro-Brazilian Orixa-the abstract energies of nature and ancestry that protect, heal and inspire.At Seeds of Peace camp in Maine, Arab and Israeli youth learn that they must “fail” at more conventional models of conflict resolution in order to reencounter themselves and redirect the conflict scenario. In contrast, students at UCLA failed to fully challenge and resist attitudes forged by the neoliberal institution—attitudes that restrict the emergence of an engaged participatory community. There was no final resolution to the conflicts in either site, only the possibilities and failures of ongoing transformation.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13528165.2012.651868
机译:在对话中,Wesley Days和Sonja Arsham Kuftinec讨论了他们作为艺术指导者的工作,他们与缅因州一个集中营的阿拉伯和以色列青年以及与加利福尼亚大学洛杉矶分校的Days学生合作。本文着重于Days的促进模式,该模式借鉴了Candomble的非洲巴西精神实践和Capoeira的仪式。戴斯提出,音乐,运动和仪式创造了一个容器,在其中冲突的能量找到了新的形式和理解。在此框架内,作为教师的促进者更多地是一个迷失方向的指南,而不是专业知识的来源,通过非洲巴西人Orixa的能量来发挥参与者的经验,这是自然和祖先的抽象能量,可以保护,治愈和启发人们。在缅因州的“和平种子”营地,阿拉伯和以色列青年得知,他们必须“失败”于解决冲突的更传统模式,以便重新认识自己并改变冲突局势。相比之下,加州大学洛杉矶分校的学生未能完全挑战和抵抗新自由主义机构所建立的态度,这些态度限制了一个参与式参与社区的出现。这两个站点之间的冲突都没有最终解决方案,只有正在进行的转换的可能性和失败。查看全文下载全文相关的var addthis_config = {ui_cobrand:“泰勒和弗朗西斯在线”,servicescompact:“ citeulike,netvibes,twitter,twitter,technorati, Delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13528165.2012.651868

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