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Small Screen Drama Kings

机译:小屏幕戏剧之王

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摘要

Any a-list movie director asked to film at the Oasis Hotel would look around, climb into his SUV and high-tail it to a soundstage to rebuild the motel in all its seedy glory. The downtown Los Angeles hotel's swimming pool is encircled by razor wire. The motor inn's roof is littered with syringes. Abandoned crack pipes lie underneath stained mattresses. The ceiling of one guest room is splattered with human blood. But director Jon Avnet ("Red Corner," "Up Close & Personal") doesn't have the time or money for such feature-film relocation. That's because Avnet, stepping past a used condom, is directing his first television series, NBC's police drama "Boomtown." "We really have 12 pages to shoot today? Oh, my God," Avnet says to an assistant, laughing at what would take at least two weeks to film on most movie sets. "Well, let's work fast before we get to the fancy stuff."
机译:任何要求在Oasis Hotel拍摄电影的顶级电影导演都会环顾四周,爬上SUV并将其尾巴高高地放置到音场中,以重建汽车旅馆的所有种子般的辉煌。洛杉矶市中心的酒店游泳池被剃须刀围成一圈。汽车旅馆的屋顶上满是注射器。被遗弃的裂缝管躺在弄脏的床垫下面。一间客房的天花板上洒满了人血。但是导演乔恩·阿夫内特(Jon Avnet)(《红角》,《近距离与个人》)没有时间或金钱来进行这种电影改编。那是因为安富利(Avnet)走过一个用过的避孕套,正在执导他的第一部电视连续剧,美国国家广播公司(NBC)的警察剧《轰炸》。 “我们今天真的有12页要拍摄吗?哦,我的天,”安富利对一名助手说,嘲笑在大多数电影上至少要花两周的时间。 “好吧,让我们在花哨的东西之前就快点工作。”

著录项

  • 来源
    《Newsweek》 |2002年第16期|p.56-58|共3页
  • 作者

    JOHN HORN;

  • 作者单位
  • 收录信息 美国《化学文摘》(CA);
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 政治理论;
  • 关键词

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