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Writing Violence: JonBenet Ramsey and the Legal, Moral and Aesthetic Implications of Creative Non-Fiction

机译:写作暴力:乔恩·贝纳特·拉姆齐(JonBenet Ramsey)和创造性非小说的法律,道德和审美含义

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摘要

This essay began as a hybrid critical/creative paper that was presented as part of an all-female panel discussing the intersections between writing and extreme violence. My own paper was on the relationship between my creative nonfiction novel The Museum of Atheism and the real life murder of six-year-old beauty queen, JonBenet Ramsey. This essay is an attempt to represent the writing process of the creative nonfiction author, and to consider the ways in which critical theory can be used to highlight, or conversely obscure, fictional writing. In addition to considering the effect of using a real story, a true crime, as the basis for a semi-fictional work, this essay will also consider the relationship I had as a writer to my publisher, editor and agent, and their interventions in the writing process to ensure that facts were deliberately skewed or warped in order to avoid litigation. Finally, I will consider my own relationship to the material, and the impact that this had on the writing process.
机译:这篇文章是从混合性的批判性/创造性论文开始的,该论文是讨论讨论写作与极端暴力之间的交集的全女性小组成员之一。我自己的论文是关于我的非小说类小说《无神论博物馆》与六岁选美皇后乔恩·贝纳特·拉姆齐(JonBenet Ramsey)在现实生活中的谋杀之间的关系。本文试图代表有创造力的非小说作者的写作过程,并考虑批判理论可用于突出或反过来掩盖小说创作的方式。除了考虑使用真实的故事,真实的犯罪作为半小说作品的基础的影响外,本文还将考虑我作为作家与出版者,编辑和代理人之间的关系,以及他们在创作过程中的干预。确保避免故意歪曲或歪曲事实的写作过程。最后,我将考虑自己与材料的关系以及这对写作过程的影响。

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