Women's rights in Serbian cinema after 2000

摘要

A preoccupation with urban life and culture is present in most films by the young directors of the so-called 'Belgrade school'. In this study it is argued that the majority of Serbian films after 2000 show a tendency towards re-traditionalization and the re-establishment of patriarchal values in terms of male-female gender roles and women's rights. This can be traced not only in popular comedies and historical dramas, but also in contemporary urban cinema.