Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation. By Alexandra Pierce.Sound in Motion: A Performer's Guide to Greater Musical Expression. By David McGill.

Raymond Monelle

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Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation. By Alexandra Pierce.Sound in Motion: A Performer's Guide to Greater Musical Expression. By David McGill.

机译：通过运动来深化音乐表演：体验式诠释的理论与实践。亚历山德拉·皮尔斯（Alexandra Pierce）着《动听的声音：更高音乐表现的表演者指南》戴维·麦吉尔（David McGill）。

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来源
《Music and Letters》 |2009年第3期|p.526-527|共2页
作者
Raymond Monelle;
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University of Edinburgh;

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1. Does Movement Amplitude of a Co-performer Affect Individual Performance in Musical Synchronization? [J] . Ian D. Colley, Manuel Varlet, Jennifer MacRitchie, Music & Science . 2021,第a期

机译：合作者的运动幅度是否会影响音乐同步中的个性性能？
2. Toward a dynamical theory of body movement in musical performance [J] . Alex, er P. Demos, Roger Chaffin, Frontiers in Psychology . 2014,第4期

机译：走向音乐表演中身体运动的动力学理论
3. Intersections of theatre theories of spectatorship with musical theatre practices in performance and production [D] . Balch, Jean Louise 2012

机译：表演的戏剧理论与表演中的音乐戏剧实践的交汇
4. Toward a dynamical theory of body movement in musical performance [O] . Alexander P. Demos, Roger Chaffin, Vivek Kant 2014

机译：走向音乐表演中身体运动的动力学理论
5. Review of Alexandra Pierce, Deepening Musical Performance through Movement (Indiana University Press, 2007) [O] . Mark Carlson 2011

机译：审查亚历山德拉刺穿，通过运动深化音乐绩效（印第安纳大学出版社，2007年）

Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation. By Alexandra Pierce.Sound in Motion: A Performer's Guide to Greater Musical Expression. By David McGill.

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