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MUSEUMS Race to Resume

机译:博物馆比赛恢复

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摘要

As businesses and institutions thrust toward a return to "normal" in areas where the pandemic is fading (or, rather concerningly, not), museums have functioned as a litmus test of local confidence in resuming daily life. South Korea, for example, enthusiastically restored national museums in May only to close them again weeks later as it detected a new ripple of cases. Designed for lingering and eminently nonessential, art museums reflect many of the challenges associated with spaces of leisure. Maintaining social distancing is certainly simpler in the cases of open-air galleries or sculpture gardens: LACMA, Art Omi, Glenstone, and the Whitney all displayed publicly viewable works through the pandemic, and the Tel Aviv Museum of Art projected videos onto the city's blank-slate Bauhaus facades. But now, as some big-banner arts spaces reopen, they are deploying strategies and technologies to help keep visitors distant and healthy.
机译:随着企业和机构在大流行的地区返回“正常”(或者相当有关,而不是),博物馆已经发挥为恢复日常生活的局部信心的Litmus考验,作为返回“正常”。例如,韩国,热情地恢复的国家博物馆可能只是几周后再次关闭它们,因为它检测到案件的新涟漪。艺术博物馆专为挥之不去,艺术博物馆反映了许多与休闲空间相关的挑战。保持社会疏远露天窗口或雕塑花园的案例肯定更简单:Lacma,Art Omi,Glenstone和Whitney全部通过大流行显示公开观看的作品,以及将视频投射视频的Tel Aviv博物馆投入到城市的空白上-late Bauhaus门面。但现在,随着一些大横幅艺术空间重新开放,他们正在部署策略和技术,以帮助让游客远处健康。

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  • 来源
    《Metropolis》 |2020年第6期|28-28|共1页
  • 作者

    Akiva Blander;

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