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Rembrandt's Creation of the Pictorial Metaphor of Self

机译:伦勃朗的自我形象隐喻创作

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摘要

Rembrandt van Rijn created the largest number of self-portraits of any major artist in history. On the basis of the interactionist conception of created metaphor, Rembrandt's production of an artistic genre of pictorial metaphor of self is described. Through a consistent compositional and content unification of the expressive portrait mouth with diverse types of costumes, he created an organic artistic model of meaningful and beautiful self-portraiture. Rembrandt's self as presented metaphorically represents the universe of art and artist. Because this compositional pictorial metaphor of self feature has not previously been recognized, a controlled empirical study was done indicating the significant characteristic association with Rembrandt's oeuvre. Creation of this metaphor is postulated as resulting from his use of the cognitive creative homospatial process—actively conceiving two or more discrete entities occupying the same mentally represented space, a conception leading to the articulation of new identities.
机译:伦勃朗·范·赖恩(Rembrandt van Rijn)创造了有史以来任何主要艺术家最多的自画像。基于所创造的隐喻的互动主义概念,描述了伦勃朗对自我图示隐喻的艺术体裁的生产。通过对表达肖像口与各种服饰的一致构图和内容统一,他创建了有意义而美丽的自我肖像的有机艺术模型。伦勃朗的自我隐喻地代表了艺术和艺术家的世界。因为以前没有认识到这种自我特征的构图比喻,所以进行了对照的实证研究,表明与伦勃朗作品具有明显的特征联系。推测此隐喻的产生是由于他使用了认知创造力的同空间过程-主动构想两个或两个以上的独立实体占据了相同的心理代表空间,这一概念导致了新身份的表达。

著录项

  • 来源
    《Metaphor and Symbol》 |2008年第2期|108-129|共22页
  • 作者

    Albert Rothenberg;

  • 作者单位

    Harvard University,;

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  • 原文格式 PDF
  • 正文语种 eng
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