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Q&A Cara Black

机译:Q&A卡拉·布莱克

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摘要

Like all of your works, Murder in the Rue de Paradis addresses political/ historical concerns. Why take on these issues in writing a mystery, and why the Kurdish question in Rue de Paradis? To me, these political and historical issues inform a story, make it "real" and current, and reveal sociological depths in French society. Paris is layered with history: the Romans, the Louis's, the Revolution, and Napoleon, to name a few. And also the more recent history of the Vichy government and French colonialism in Indochina and North Africa, whose legacy still vibrates today. The past informs the present, right? It fascinates me how historical background plays out in contemporary Paris and ripples the currents of modern society. The Paris I experience is taking the Metro, sitting next to the stylish Pa-risienne in black, the Moroccan man in a djellaba, and the plumber in overalls all on their way to work.
机译:像您的所有作品一样,天堂大道的谋杀案涉及政治/历史问题。为什么要写一个谜来解决这些问题,为什么要在帕拉迪斯街上的库尔德问题呢?对我而言,这些政治和历史问题为一个故事提供了信息,使其成为“真实的”和时事的,并揭示了法国社会的社会学深度。巴黎拥有悠久的历史:罗马人,路易王朝,革命和拿破仑等等。还有维希政府和印度支那和北非的法国殖民主义的最新历史,其历史至今仍在震动。过去告诉现在,对不对?它使我着迷于当代巴黎的历史背景如何影响着现代社会的潮流。我经历的巴黎乘坐地铁,旁边是时尚的黑色Pa-risienne,穿着djellaba的摩洛哥人和正在工作的工作服的水管工。

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