首页> 外文期刊>Library Journal >Streissguth, Michael. Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville. It: HarperCollins. Jun. 2013.304p.
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Streissguth, Michael. Outlaw: Waylon, Willie, Kris, and the Renegades of Nashville. It: HarperCollins. Jun. 2013.304p.

机译:斯特里斯古斯(Michael Streissguth)。 law徒:韦伦,威利,克里斯和纳什维尔叛徒。它:HarperCollins。 2013年6月304页。

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摘要

In the late 1960s and early 1970s, a group of musicians including Waylon Jennings, Jessi Colter, Johnny Cash, Willie Nelson, Kris Kristofferson, and Tompall Glaser appeared in Nashville, ushering in a fresh musical sensibility that combined rock and folk with the rollicking rhythms of the Texas music of Doug Sahm. In 1976, Jennings, Nelson, Colter, and Glaser released the now-iconic Wanted: The Outlaws!, which became the first country album to sell a million copies. Streissguth's (Johnny Cash: The Biography) captivating tale of these artists, the ways in which they challenged the Nashville establishment of the time, and their sudden rise to fame provides a glimpse into a time when the country music industry, as well as Nashville itself, was struggling to find its identity. The remarkable moral of the story is that for a brief, and considerably memorable, moment, outsiders succeeded in finding a (sometimes uneasy) home in the Nashville scene in ways that artists have trouble doing today. VERDICT Although die-hard country music fans know the details of the stories that Streissguth tells, his book nevertheless opens a window on a Nashville that struggled to adapt to the times and the musicians who led it into a new era.
机译:在1960年代末和1970年代初,包括Waylon Jennings,Jessi Colter,Johnny Cash,Willie Nelson,Kris Kristofferson和Tompall Glaser在内的一批音乐家出现在纳什维尔,将摇滚和民间音乐与动人的节奏融为一体,带来了崭新的音乐敏感性。道格·萨姆(Doug Sahm)的德克萨斯音乐。 1976年,詹宁斯,尼尔森,科特和格拉瑟发行了现在具有讽刺意味的“被通缉:亡命徒!”,这是第一张销售百万张的乡村专辑。斯特赖斯古斯(约翰·卡什(Johnny Cash:The Biography)的这些艺术家的迷人故事,他们挑战纳什维尔时代的方式,以及成名率的上升,让我们一窥乡村音乐产业以及纳什维尔本身的时代。 ,正在努力寻找自己的身份。这个故事非凡的寓意是,短暂而又令人难忘的片刻中,局外人成功地在纳什维尔场景中找到了一个(有时是不安定的)住所,这在今天艺术家们很难办到。 VERDICT尽管顽固的乡村音乐迷们知道Streissguth讲述的故事的细节,但他的书为纳什维尔打开了一个窗口,纳什维尔一直在努力适应时代和引领其进入新时代的音乐家。

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  • 来源
    《Library Journal》 |2013年第9期|81-82|共2页
  • 作者

    Henry L. Carrigan Jr.;

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  • 入库时间 2022-08-17 23:18:27
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