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The influence of classical dance training on preferred supporting leg and whole body turning bias

机译:古典舞训练对优选支撑腿和全身转弯偏向的影响

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A rightward turning bias has been more frequently noted during adult classical dance practice than during spontaneous rotations. Training could play a role in inducing a preferred direction. We observed the preferred direction for executing four spontaneous whole-body full turns (pirouettes), with eyes open or closed, in pre-pubertal untrained girls and classical dance students. Of untrained girls, 58% showed a leftward turning bias (LTB) and 42% a rightward turning bias (RTB), independently of vision, lateral preferences, and supporting leg. Only one dancer showed a consistent LTB while the majority showed a RTB, with a tendency to use the left leg to turn towards the right. These results suggest that the role of the vestibular and visual systems is minimal for untrained girls, and suggest a training influence for dancers. The dance students' choice of a supporting leg for turning may exploit some biomechanical properties facilitating the pirouette.
机译:在成人古典舞蹈练习中,比自发旋转更经常注意到向右偏。培训可以在引导首选方向方面发挥作用。我们观察了在青春期前未经训练的女孩和古典舞蹈学生中,进行睁开或闭眼的四个自发全身旋转(旋转旋转)的首选方向。未经训练的女孩中,有58%的人表现出左转偏向(LTB),而有42%的人表现出右转偏向(RTB),与视力,侧向偏好和支撑腿无关。只有一名舞蹈演员表现出一致的LTB,而大多数舞蹈演员表现出RTB,倾向于使用左腿向右转。这些结果表明,对于未经训练的女孩来说,前庭和视觉系统的作用微乎其微,并暗示了对舞者的训练影响。舞蹈学生选择转弯的支撑腿时,可能会利用一些生物力学特性来简化旋转腿。

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