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Designing Tomorrow: America's World's Fairs of the 1930s

机译:设计明天:1930年代的美国世界博览会

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The American world's fairs of the Depression years were over-the-top, optimistic projects that made future-gazing a cultural staple. According to the fairs' organizers and promoters, such looking ahead could bolster people's sagging faith in the country's economic and political systems. These fairs decanted a messy decade into neat packages of hope, dramatized the shape of things to come, and distorted or denied social reality to accommodate corporate America's consumerist Utopias. Creating a museum exhibition decades later, out of such extravagantly hopeful projects, poses a robust intellectual challenge. How does one recreate the particular mood of the fairs in their historic times without overinvesting in their seductive messages? Balancing an "authentic" representation of past events with the unavoidable lessons of hindsight is a daunting task. The exhibition at the National Building Museum titled Designing Tomorrow: America's World's Fairs of the 1930s deftly negotiated this challenge.
机译:大萧条时期的美国世界博览会是最高级的,乐观的项目,这些项目使人们对未来充满了期待。根据博览会的组织者和推广者,这种前瞻性可能会增强人们对该国经济和政治制度的低落信念。这些博览会将一个混乱的十年decade灭成整洁的希望,戏剧化了即将发生的事情,扭曲或否认了社会现实,以适应美国公司的消费者主义乌托邦。在数十年后的此类极富希望的项目中,创建博物馆展览会带来了强大的智力挑战。如何在不浪费过多诱人信息的情况下重现历史悠久的交易会的特殊氛围?在过去事件的“真实”表示与事后回避的不可避免的教训之间取得平衡是一项艰巨的任务。在国家建筑博物馆举行的名为“设计明天:1930年代美国世界博览会”的展览巧妙地解决了这一挑战。

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