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Everything Old is New Again: Podcasting as Radio's Revival

机译:旧事物又是新事物:播客作为广播的复兴

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The seven articles comprising this symposium shed light on what makes pod-casting successful, but they also point towards additional questions to be answered. Notably, systematic research on podcast listening is absent, save for one small survey by Berry. While many of these articles discuss podcast audiences, particularly with regards to how they interact on social media, as a whole podcasting scholarship seems to have ceded listening studies to industry groups such as Edison Media Research, with only a few exceptions (c.f. Johnson, 2007; McClung & Johnson, 2010; Ritter & Cho, 2009). Given that these articles clearly show how critical audience interaction is to the success of independent podcasts, it would be useful for researchers to investigate what draws people to different types of podcasts, how they listen, and perhaps start to explain why some podcasts go viral, and why others do not. The lack of research on podcast listening is particularly critical in light of the rise of smartphone apps and the ways that these apps may shape listening habits. If popular podcasting apps provide recommendations biased towards a "top ten" mentality, will that serve to further consolidate listening trends to podcasts produced by major media outlets or the larger podcasting networks? Further examinations of podcast listening might also help us understand how much of podcasting's success is about time-shifting, and how much might be a revived interest in audio as platform for entertainment and information.
机译:本次研讨会的七篇文章阐明了播客成功的秘诀,但它们也指出了需要回答的其他问题。值得注意的是,除了Berry进行的一项小型调查外,缺少对播客收听的系统研究。尽管其中许多文章讨论了播客的受众,特别是关于他们如何在社交媒体上互动的内容,但总体而言,播客奖学金似乎将听力研究转移给了爱迪生媒体研究等行业组织,只有少数例外(cf Johnson,2007年)。 ; McClung&Johnson,2010; Ritter&Cho,2009)。鉴于这些文章清楚地表明了受众互动对独立播客的成功至关重要,因此对于研究人员调查将人们吸引到不同类型的播客的方式,他们的聆听方式,也许开始解释为什么某些播客如此具有病毒性,这将是有用的。以及为什么其他人不这样做。鉴于智能手机应用程序的兴起以及这些应用程序可能影响听觉习惯的方式,缺乏关于播客收听的研究尤其重要。如果流行的播客应用程序提供的偏向于“十大”心态的建议,是否可以进一步巩固主流媒体或大型播客网络所产生的播客的收听趋势?对播客收听的进一步检查还可以帮助我们了解播客成功的时机有多少,以及对作为娱乐和信息平台的音频的重新兴起有多大的兴趣。

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