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首页> 外文期刊>The Journal of North African Studies >The sexually enthralling Other: Oriental weddings in performance and American erotics of the Brown Threat
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The sexually enthralling Other: Oriental weddings in performance and American erotics of the Brown Threat

机译:令人着迷的其他:表演中的东方婚礼和美国对《棕色威胁》的讽刺

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International expositions held in America at the turn of the century developed discourses on ethnological living exhibits. These discourses were reinforced by an array of Orientalist images which stemmed mainly from a history including the fascination with the exotic and sensual Other. The artistic encounter of Moroccan acrobats with American audiences was also gendered. Entertainment newspapers and magazines did not only offer entries into Oriental wedding ceremonies enacted on stage for the delight of western audiences, but they were also concerned with interracial marriages of Moroccan performers with American women. I argue that such encounters add intricate insights into forms of knowledge about Self and Other within the racial hierarchies and ethnic taxonomies of entertainment spectacles and displays. Orientalist, imperialist and nationalist epistemologies coalesce to produce discourses about the Oriental Other as a network of anxieties and ambivalences. The Arab Other in American amusement industry turns into a ‘fearful double’; both as a site of desires where White sexual experiences would be inscribed and as potential threat for the construction of national identity. The revival of Othello syndrome in its temporal and spatial ramifications is activated and projected onto the experience of Moroccan gymnasts with American women. The ‘brown threat’ discourse becomes not only a compelling individual internalisation of the danger of interracial contacts, but a national fear associated with the need to monitor racial boundaries and reorder the nation within a rigid discourse that resists racial mixing.View full textDownload full textKeywordsMoroccan acrobats, Oriental fantasies, fair exhibits, cultural hegemony, interracial marriage, sexual encountersRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13629387.2011.634613
机译:世纪之交在美国举行的国际博览会发展了关于民族学生活展品的论述。这些话语被一系列东方主义的图像所加强,这些图像主要源于包括对异国情调和感性的“他者”的迷恋在内的历史。摩洛哥杂技演员与美国观众的艺术相遇也被性别化。娱乐报纸和杂志不仅提供了为西方观众高兴而在舞台上举办的东方婚礼的门票,而且还关注摩洛哥演员与美国女性的异族通婚。我认为,这样的相遇为娱乐眼镜和展示的种族等级和种族分类法中的自我和其他知识的形式增加了复杂的见解。东方主义,帝国主义和民族主义的认识论联合起来,产生了关于“东方他人”的论述,将其作为焦虑和矛盾的网络。美国娱乐业中的“阿拉伯他人”变成了“可怕的双重”。既是渴望将白人性经历铭刻在心的场所,又是建立民族认同的潜在威胁。奥赛罗综合症在时间和空间上的复兴被激活,并投射到摩洛哥体操运动员与美国妇女的经验中。 “棕色威胁”话语不仅成为种族间接触危险的令人信服的个体内部化,而且成为与监控种族边界并在抵抗种族混合的僵化话语中重新安排国家相关的民族恐惧。全文下载全文关键字摩洛哥杂技演员,东方幻想,公平的展览,文化霸权,异族通婚,性遭遇,digg,google,more“,发布号:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13629387.2011.634613

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