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Roger Sansi, Fetishes And Monuments: Afro-brazilian Art And Culture In The 20th Century

机译:罗杰·桑西(Roger Sansi),《恋物癖与纪念碑:20世纪的非洲巴西艺术与文化》

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The subject of Roger Sansi's Fetishes and Monuments is the formation of Afro-Brazilian culture in Salvador da Bahia, starting with the post-slavery years of the latter part of the 19th century and continuing through to the present day. The book describes a 'historical transformation of practices, values and discourses' (p. 3) and as such contributes to an already quite considerable literature on the cultural history of this region. Sansi's analysis is refreshingly different, however. Unlike earlier historical, sociological, and anthropological approaches, which turned on notions of essentialised cultures, relatively fixed religious systems, and clashes of civilisations, Sansi describes the formation of Afro-Brazilian culture as a two-way process of mutual exchange between the Brazilian cultural and political elite and the leaders of prominent Afro-Brazilian religious centres of Candomble.
机译:罗杰·桑西(Roger Sansi)的恋物癖和纪念碑的主题是巴伊亚萨尔瓦多(Salvador da Bahia)的非裔巴西文化的形成,始于19世纪下半叶的奴役后时代,一直延续到今天。该书描述了“实践,价值和话语的历史性转变”(第3页),因此,该书已成为有关该地区文化历史的颇丰文献。但是,Sansi的分析令人耳目一新。与以前的历史,社会学和人类学方法不同,后者基于本质文化,相对固定的宗教制度和文明冲突的观念,桑西将非洲裔巴西人文化的形成描述为巴西文化之间相互交流的双向过程。和政治精英以及坎多布尔的非裔巴西宗教中心的领导人。

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