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Argentine Serialised Radio Drama in the Infamous Decade, 1930-1943

机译:1930-1943年臭名昭著的阿根廷连续剧广播剧

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摘要

The scope of this study is both narrower and wider than is suggested by its title. It is narrower because it does not engage with the broader phenomenon of serialised radio drama during the infamous decade, but concentrates on three serials that, although highly successful in their days, do not reflect the full range of dramatic genres on the air. And rather than approaching these serials as broadcasts, it focuses primarily on their written content as provided in the surviving scripts. At the same time, this study goes well beyond radio drama in the 1930s and early 1940s. Lauren Rea, a literary scholar, subjects the three sets of texts to a narrative analysis that reaches back into time and deep into the nineteenth century. By means of a close reading of the scripts themselves and the literary and wider cultural traditions that informed them, she seeks to show that these programmes engaged in a long-standing and intricate debate about Argentine nationhood.
机译:这项研究的范围比标题所暗示的要窄和宽。它之所以狭窄,是因为它与臭名昭著的十年中没有更广泛的连续广播剧现象有关,而是集中于三个连续剧,尽管在当时非常成功,但并不能反映出广播中的全部戏剧体裁。与其将这些连续剧作为广播,不如将其主要放在幸存脚本中提供的书面内容上。同时,这项研究远远超出了1930年代和1940年代初期的广播戏剧。文学学者劳伦·瑞(Lauren Rea)对这三套文本进行了叙事分析,这些叙事可以追溯到十九世纪。她通过仔细阅读剧本本身以及为他们提供信息的文学和更广泛的文化传统,试图表明这些节目参与了关于阿根廷民族的长期而复杂的辩论。

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