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Mediating an Ecological Awareness in Italy: Shared Visions of Sustainability Between the Environmental Movement and Radical Design Cultures

机译:调解意大利的生态意识:环境运动与激进的设计文化之间的可持续发展愿景

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摘要

This article argues for a necessary reinterpretation of 1970s Italian design, employing new analytical categories. In this case, the history of the impact of left-wing theory and politics, the reception of American counterculture movements and environmentalism, and the rhetorical strategies used to mediate an ecological awareness and collective consciousness in Italy, provide new insight into the cultural background of radical design. This essay considers a short period (1970-1976) in which the theories and initiatives of the Italian environmental movement intersected with those of design cultures. Editorial projects developed between 1970 and 1973 testify to the first steps towards ecological literacy in Italy. Se, an insert in Abitare exemplifies this approach. On the other hand, a pre-ecological reflection was promoted by radical design cultures. In 1970, Casabella, the most widely-read Italian architectural magazine, participated in a series of initiatives highlighting the speculative merits of participatory and socially impactful design. The pedagogical experiment proposed by the Italian avant-garde through the Global Tools collective between 1973 and 1975 documents the aspirations of a utopic narrative of sustainability, seeking a visionary answer through the retooling of design as a discipline.
机译:本文主张采用新的分析类别对1970年代意大利设计进行必要的重新解释。在这种情况下,左翼理论和政治影响的历史,美国反文化运动和环保主义的接受,以及用来调解意大利的生态意识和集体意识的修辞策略,提供了对意大利文化背景的新见解。激进的设计。本文考虑的是一个短暂的时期(1970-1976年),其中意大利环境运动的理论和倡议与设计文化的理论和倡议相交。 1970年至1973年之间开发的编辑项目证明了意大利实现生态素养的第一步。 Se(Abitare中的插入物)就是这种方法的例证。另一方面,激进的设计文化促进了生态前的反思。 1970年,最受欢迎的意大利建筑杂志《卡萨贝拉》(Casabella)参与了一系列举措,重点突出了参与性和具有社会影响力的设计的投机性优点。意大利先锋派在1973年至1975年间通过Global Tools集体提出的教学实验证明了对可持续性的异议叙事的愿望,并希望通过将设计作为一门学科进行重新设计来寻求有远见的答案。

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