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Patagonia, A Case Study in the Historical Development of Slow Thinking

机译:巴塔哥尼亚,以缓慢思考的历史发展为例

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This article traces some of the historical roots of 'slow' through changes in ecology, design thinking and practice and implications for fashion and design histories. It sees 'slow', as present in slow design and slow fashion, as a contemporary idea that marks renewed interest in sustainability debates whilst indicating additional shifts since the second wave of environmentalism in the mid-twentieth century. As fashion and design history expands to incorporate environmental history, this article presents a historical case study of the material culture of the American activewear brand Patagonia. Their logo and early catalogues highlight some of the tensions between the differing schools of ecological thought and the problems presented by applying those values to design and sportswear practice. Similarly, sustainability has been linked to a variety of issues from environmental preservation and waste to sweated labour. Therefore, this article uses slow and its focus on locality and mindfulness as theoretical touchstones for environmental thinking in the histories of design and fashion.
机译:本文通过生态,设计思维和实践的变化以及对时尚和设计历史的启示,追溯了“慢”的一些历史根源。它认为,以缓慢的设计和缓慢的方式呈现的“缓慢”是一种当代思想,它标志着人们对可持续发展辩论的重新兴趣,同时表明自二十世纪中叶第二次环保主义浪潮以来的新变化。随着时尚和设计历史的扩展以纳入环境历史,本文介绍了美国运动服品牌Patagonia的材料文化的历史案例研究。他们的徽标和早期目录突出了不同生态思想流派与将这些价值观应用于设计和运动服实践所带来的问题之间的某些张力。同样,可持续性也与从环境保护,浪费到劳力劳动的各种问题有关。因此,本文将慢速运动及其对局部性和正念性的关注作为设计和时尚历史中环境思维的理论试金石。

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