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The Fall and Rise of a National Hero: Interpretations of Draza Mihailovic and the Chetniks in Yugoslavia and Serbia since 1945

机译:民族英雄的兴衰:自1945年以来在南斯拉夫和塞尔维亚的Draza Mihailovic和切特尼克人的解读

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摘要

This article explores the ways in which Draza Mihailovic and the Chetnik movement have been presented and reinterpreted as historical figures in Serbian historiography and popular representations of history since the Second World War, from his vilification and portrayal as a traitor to eventual rehabilitation and depiction as a Serbian national hero. It examines the key role played by historians as mediators of memory and charts the way in which the instrumentalisation of Second World War history by communist historiography paved the way for extensive national reinterpretations of wartime history and the creation of new usable national histories in the post-Yugoslav republics. The article addresses issues of transmission by reference to educational historiography and analyses the controversy caused by a Serbian basketball player's tattoo of Mihailovic in 2004 in order to explore the shifting paradigms of political memory discourses and historical interpretations.
机译:本文探讨了德拉扎·米海洛维奇(Draza Mihailovic)和切特尼克(Chetnik)运动在第二次世界大战以来作为塞尔维亚史学史上的历史人物和历史上受欢迎的历史人物的提出和重新解释的方式,从他的侮辱和描绘为叛徒,到最终的复兴和描绘。塞尔维亚民族英雄。它考察了历史学家作为记忆的调解者所起的关键作用,并描绘了共产主义史学对第二次世界大战历史的工具化为以后的国民对战时历史进行广泛的重新解释和在战后建立新的可用民族历史铺平了道路。南斯拉夫共和国。本文通过参考教育史学来解决传播问题,并分析了塞尔维亚篮球运动员米哈洛维奇(Mihailovic)在2004年的纹身所引起的争议,以探讨政治记忆话语和历史解释的变化范式。

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