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Movie theaters' suicide-by-advertising with income from abusing customers

机译:电影院通过滥用广告而自杀

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Purpose - The purpose of this article is to examine US cinema audiences' reactions to advertising. Cinema advertising and other failures of customer relations management by movie exhibitors explains how consumers are discouraged from going to a cinema to see newly released movies. To avoid commercials, consumers increasingly turn to VCR rentals, DVD purchases and computer downloads, all of which feed production company profits at the expense of the movie theater owners. Design/methodology/approach - Historical observations on the origins and growth of cinema advertising in the USA, coupled with notes on the overall decline of the cinema viewing experience. Findings - Cinema advertising swiftly grew from "underused" to commonplace in the early 1980s, while losing track of theater owners' early concerns for potential harm to the viewing experience for ticket purchasers. The presence of advertising is not in itself the cause for consumer dislike of the theater experience, but the increasing quantity of messages are often poorly written or produced, previously seen by audiences ad nauseam on television and written for a small target group of cinema audiences while boring or offending the rest. Practical implications - There are limits to consumer tolerance of ambush media vehicles, and a failure to take this consumer abuse into account contributes to a loss of customers. In a similar vein, over commercialization of over-the-air radio encourages consumers to use subscription systems, satellite radio or other forms of in-car entertainment. Increasing television advertising clutter is a major factor in declining ratings for programs, as well as decreased attention to advertising messages by audiences that remain. Originality/value - A call to action for movie theaters to see ticket sales as a function of factors other than the appeal of the latest blockbusters, with overuse of advertising discouraging repeat customers.
机译:目的-本文的目的是研究美国电影观众对广告的反应。电影放映商的电影院广告和其他客户关系管理失败,说明了如何阻止消费者去电影院看新发行的电影。为了避免广告,消费者越来越多地转向VCR租金,DVD购买和计算机下载,所有这些都使制片公司从中获利,而牺牲了电影院所有者。设计/方法/方法-关于美国电影广告的起源和发展的历史观察,以及关于电影观看体验总体下降的注释。调查结果-电影广告在1980年代初期从“未充分利用”迅速发展为司空见惯,但同时也失去了影院所有者对门票购买者观看体验可能受到损害的早期担忧。广告的存在本身并不是导致消费者不喜欢影院体验的原因,但是越来越多的消息往往写得不好或制作得不好,以前是观众在电视上看到广告的恶心,然后是为一小部分电影观众写的。无聊或冒犯其他人。实际意义-消费者对埋伏式媒体车辆的容忍度是有限的,并且不考虑这种消费者滥用会导致客户流失。同样,空中广播的过度商业化鼓励消费者使用订阅系统,卫星广播或其他形式的车载娱乐系统。电视广告混乱的增加是节目收视率下降的主要因素,而剩余观众对广告信息的关注也下降。原创性/价值-电影院采取行动呼吁,将票房销售视为除最新大片吸引力之外的其他因素的函数,并且过度使用广告会阻止回头客。

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