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Rock art interpretive approaches - Devising frameworks to maximally utilise independent lines of evidence

机译:岩石艺术的解释方法-设计框架以最大程度地利用独立证据

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Past cultures in all the major continents have, for millennia, developed symbolic systems and iconographies whose depictions spanned a multiplicity of media, including rock art as well as ceramic decoration and other physical forms. This is an area which has long been recognised, but requires further investigation and research for any meaningful conclusions to be drawn - particularly regarding its potential to assist in the meaning and chronology of rock art. Taken together with other data such as the contrasting distribution of archaeological sites and rock art locations, we may form independent lines of evidence, not conclusive in their own right, but when combined can provide convincing arguments toward specific chronology and attribution. Indeed, each rock art site needs to have its own tailored interpretive framework, devised to maximally exploit the available archaeological and other data to assist in the understanding of the rock art. This paper will describe a multidimensional methodology to rock art chronological and cultural attribution using an approach applied at the site of Hierakonpolis, Upper Egypt which is known for its late Predynastic and Early Dynastic settlement and funerary localities, occurring adjacent to rock beds and hills incorporating rock art and inscriptions from a span of ages. (C) 2016 Elsevier Ltd. All rights reserved.
机译:几千年来,所有主要大洲的过去文化都发展了象征性的系统和图像,其描绘涵盖了多种媒介,包括岩石艺术以及陶瓷装饰和其他物理形式。这是一个早已被认可的领域,但需要进一步调查研究以得出任何有意义的结论,尤其是在其可能有助于岩石艺术的意义和年代学方面。结合其他数据(例如考古遗址和岩石艺术位置的对比分布),我们可能会形成独立的证据线,并非一成不变,但结合起来可以为特定的年代和属性提供令人信服的论据。实际上,每个岩石艺术遗址都需要有自己的量身定制的解释框架,旨在最大程度地利用可用的考古和其他数据来帮助理解岩石艺术。本文将使用在上埃及的希拉孔波利斯遗址采用的一种方法来描述岩石艺术的时间和文化归因的多维方法,该方法因其早代王朝和早代王朝的定居点和丧葬场所而闻名,发生在与岩石床和岩石结合的丘陵附近各个年龄段的艺术品和铭文。 (C)2016 Elsevier Ltd.保留所有权利。

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