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Myth against history: the Concert Hall in Bruges by Robbrecht and Daem Architects

机译:反对历史的神话:罗伯布雷特(Robbrecht)和戴姆(Daem)建筑师在布鲁日的音乐厅

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摘要

The Concert Hall in Bruges by Robbrecht and Daem Architects was built as the result of a closed competition held in 1998. The competition and its outcome generated a lively public debate that not only indicated how closely views on the city's identity were bound up with appreciations of its architecture (both from the present and the past), but also to what extent architecture embodied the problematic presence of the past in the contemporary city of Bruges. Robbrecht and Daem developed their project from themes proper to their oeuvre rather than to this specific debate. This approach not only allowed the firm to formulate a thoughtful response to the site of the Concert Hall. It also established the Concert Hall as a building that bypasses the conflation of architecture and identity, or the seemingly inevitable question of architecture's authenticity in an historical and historicised environment, to create a place that offers an opportunity to experience fully and to examine the city in the present.
机译:布鲁日音乐厅是由Robbrecht和Daem Architects于1998年举行的非公开比赛而建。这场比赛及其结果引起了热烈的公开辩论,不仅表明了对城市身份的看法与人们的赞赏有多么紧密地联系在一起。它的建筑(既包括现在,也包括过去),而且在多大程度上体现了当代布鲁日市过去存在的问题。 Robbrecht和Daem的项目是根据适合其作品的主题而不是针对特定辩论进行的。这种方法不仅使公司能够对音乐厅的场地做出周到的回应。它还将音乐厅建立为一座建筑物,绕过建筑与身份的融合,或在历史和历史环境中似乎不可避免的建筑真实性问题,以创造一个场所,让人们有机会充分体验和考察这座城市。现在。

著录项

  • 来源
    《The journal of architecture》 |2016年第5期|719-733|共15页
  • 作者

    Maarten Delbeke;

  • 作者单位

    Department of Architecture and Urban Planning, Ghent University, Belgium;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 00:24:38

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