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The Emotional Geography of Shinjuku: The Case of Chikatetsu Hiroba (Underground Plaza, 1970)

机译:新宿的情感地理:千叶平三郎案(地下广场,1970年)

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Ōuchida Keiya's Chikatetsu Hiroba (Underground Plaza, 1970), a film from the Japanese underground cinema movement, documents the gathering of ‘folk guerrillas’ (activists and student protestors) at the underground plaza linking the west and east exits of the vast Shinjuku railway station in February 1969. This essay analyses their protests by highlighting their apparent search for a new performative praxis, amidst evidence of complicated broken threads, misplaced emotions and disconnections between politics and action. Through occupying and restoring other uses of the space, I argue that the protestors desired to remake the city as a forum for ideological confrontation and revolutionary aesthetics.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/10371397.2011.619167
机译:ÅŒuchidaKeiya的Chikatetsu Hiroba(地下广场,1970年),是日本地下电影运动的电影,记录了“民间游击队”(活动家和学生示威者)在连接东西方出境的地下广场聚集的情况。 1969年2月,在广阔的新宿火车站。这篇文章分析了他们的抗议活动,着重强调了他们显然寻求新的表演手法,同时还证明了复杂的断线,错位的情感以及政治与行动之间的脱节。通过占领和恢复空间的其他用途,我认为抗议者希望将这座城市改造成一个意识形态对抗和革命性美学的论坛。查看全文下载全文“ citeulike,netvibes,twitter,technorati,美味,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/10371397.2011.619167

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