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Alter Program, Alter History: Survey of the Renovation of Traditional Wooden Architecture in Taito Area, Tokyo

机译:改变计划,改变历史:东京台东地区传统木制建筑的改造概况

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This returns us to the questions posed at the beginning of how arnbuilding can be changed before the reception of history is altered. Evenrnthe simplest gestures or changes can enhance or eliminate design orrnsocial history. These are the telling details that accomplish a “narrative”rnspace, a component of contemporary renovation theory.x Further,rnmaintaining and cultivating facades assists the success of renovated andrnpreserved structures.rnSuch individual-driven machizukuri まちづくりexisting outside thernstate restrictions of important cultural properties also provides arnpreservation network model that offers more freedom to designers andrnwooden building owners. Nevertheless one must account for howrndesign and program changes will affect a building’s local and social role,rnand not to treat buildings of local history as entirely blank slates. Arndesigner may renovate and alter the use of a traditional wooden buildingrnwhile maintaining its essential program and historical qualities.
机译:这使我们回到了在改变历史的接受之前如何改变建筑的开始时提出的问题。即使是最简单的手势或更改也可以增强或消除设计的社会历史。这些是完成现代叙事理论组成部分的“叙事”空间的引人入胜的细节。x此外,维护和培植外墙有助于翻新和保存完好的建筑物的成功。rn这种个体驱动的machizukuri还存在于重要文化财产的国家限制之外提供保护性网络模型,为设计师和木质建筑业主提供更大的自由度。不过,必须说明设计和程序变更将如何影响建筑物的当地和社会角色,而不是将具有本地历史的建筑物视为完全空白。 Arndesigner可以在保留其基本程序和历史品质的同时,翻新和改变传统木制建筑的用法。

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