A bloodied bond: Fly River heads and body image in Beatrice Grimshaw's colonial landscapes

摘要

In a paper published previously in the Irish Studies Review I discuss the anthropomorphic features of Beatrice Grimshaw's landscapes in relation to colonial fears of the unknown. Following on from this I argue in the present work that this trope, ubiquitous in colonial literature, is exacerbated in Grimshaw's oeuvre by a body image or body image tendencies associated with penetrability, the foundations of which would have been laid long before she first saw the delphinium skies of the south. Grimshaw's body image, her realisation of her own physicality, is the primary focus of this essay. Drawing on the research of psychologists Seymour Fisher and Sidney E. Cleveland, I explore Grimshaw's conception of body boundaries, the boundaries of the touristic self and the indigenous Other. Such an analysis requires an examination not only of the body, and its extension dress, but also of physical terrain, the spaces and places, landscapes of the past and the present, home and the away, within which these cartographies of flesh and bone move.