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WRITING ON THE WALL: Street Art in Graffiti-free Singapore

机译:在墙上写字:新加坡无涂鸦的街头艺术

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The legalization of graffiti in many cities has impacted urban landscapes and the way artists and the public view graffiti, street art and the city as well. This article considers the genesis, process and consequences of legal walls programmes firstly by introducing and differentiating the key terms 'graffiti', 'street art' and 'legal walls', then by examining an empirical case, that of Singapore. Renowned as a graffiti-averse and litter-free city, Singapore's recent about-turn in legalizing illicit art forms illustrates changing government perspectives on creativity and legality in the country. Why the government has effected this change, how artists and members of the public have responded to it and the resultant art forms are critically explored. The conclusion reflects on four key lessons from Singapore for cities in general.
机译:许多城市的涂鸦合法化已经影响到城市景观,以及艺术家和公众对涂鸦,街头艺术以及城市的看法。本文首先通过介绍和区分“涂鸦”,“街头艺术”和“法律墙”等关键术语,然后再考察一个新加坡的经验案例,来考虑法律墙计划的起源,过程和后果。新加坡是一个不受涂鸦困扰且无垃圾的城市,最近在非法艺术形式合法化方面的转变表明了政府在该国创造力和合法性方面的观点正在发生变化。政府为什么要进行这种改变,艺术家和公众如何对此作出回应,并认真探索由此产生的艺术形式。该结论反映了新加坡为整个城市提供的四个主要经验教训。

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