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The Buffalo Nations/Luxton Museum: Tourism, Regional Forces and Problematising Cultural Representations of Aboriginal Peoples in Banff, Canada

机译:布法罗国家/勒克斯顿博物馆:加拿大班夫的旅游业,区域势力和土著人民的文化代表问题

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摘要

This paper examines the cultural representations of Aboriginal peoples at the Buffalo Nations/Luxton Museum in Banff, Canada. The museum has been part of the cultural landscape of the tourism industry in Banff since 1952. Using interviews, newspaper articles and analyses of the exhibits, I problematise the museum's representations of Aboriginal peoples by focusing on the challenges associated with navigating regional power relations while participating in forms of capitalist exchange. My findings suggest that the museum's representations engender complex readings of Aboriginal peoples that need to be interpreted considering the processes of production, but also the broader conditions that are embedded in this history. This paper puts cultural representations of Aboriginal peoples into socio-economic, political, cultural and historical contexts in ways that may interest scholars and practitioners from diverse disciplines and specific fields such as museum, recreation, tourism, heritage and Indigenous studies.
机译:本文在加拿大班夫的布法罗国家/勒克斯顿博物馆考察了土著人民的文化表征。自1952年以来,该博物馆就成为班夫旅游业文化景观的一部分。我通过采访,报纸文章和展品分析,着重研究与参与地区权力关系相关的挑战,从而质疑博物馆对土著人民的代表性。以资本主义交换的形式。我的发现表明,博物馆的表象引起了原住民的复杂阅读,需要对它们进行解释,既要考虑生产过程,又要考虑到历史中蕴藏的更广泛条件。本文将使原住民的文化表征进入社会经济,政治,文化和历史背景,其方式可能会使来自不同学科和特定领域(例如博物馆,娱乐,旅游,遗产和土著研究)的学者和实践者感兴趣。

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