首页> 外文期刊>International journal of architectural heritage >The Beauty of a Beam: The Continuity of Joan Torras's Beam of Equal Strength in the Work of his Disciples-Guastavino, Gaudi, and Jujol
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The Beauty of a Beam: The Continuity of Joan Torras's Beam of Equal Strength in the Work of his Disciples-Guastavino, Gaudi, and Jujol

机译:光束之美:琼·托拉斯的同等力量光束在其门徒的工作中的连续性-瓜斯塔维诺,高迪和朱卓尔

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摘要

Joan Torras, professor of the strength of materials at the School of Architecture of Barcelona (1871-1910), considered the beam of equal strength not only as a structurally extremely efficient beam, but also as beautiful because of its ability to reflect the material's strength. Torras' structures have left their special mark on Barcelona and on the work of his most illustrious students: Rafael Guastavino in the United States published similar structures, but it was Antoni Gaudi and Josep Maria Jujol who transfigured them mimetically for Barcelona's Park Guell and Tarragona's Metropol Theatre, respectively. These examples will show how an expressive gesture can thoroughly transform a "technical form" into an "artistic form", a fact that inevitably recalls the wisdom of classical Greek mimesis.
机译:巴塞罗那建筑学院材料强度教授Joan Torras(1871-1910)认为,强度相同的光束不仅在结构上非常有效,而且由于其能够反映材料强度而同样美观。 Torras的建筑物在巴塞罗那和他最杰出的学生的作品上都留下了自己的特殊烙印:美国的Rafael Guastavino发表了类似的建筑物,但是Antoni Gaudi和Josep Maria Jujol为巴塞罗那的奎尔公园和塔拉戈纳的Metropol模仿了他们的形象。剧院。这些示例将说明表达​​手势如何将“技术形式”彻底转变为“艺术形式”,这一事实不可避免地让人回想起古典希腊模仿的智慧。

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