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首页> 外文期刊>Interiors: design, architecture and culture >'Thinking' the Domestic Interior in Postcoloniai South Asiai The Home of Geoffrey Bawa in Sri Lanka, 1960 to 1998
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'Thinking' the Domestic Interior in Postcoloniai South Asiai The Home of Geoffrey Bawa in Sri Lanka, 1960 to 1998

机译:“思考”后殖民时期南亚的家庭内饰杰弗里·巴瓦(Geoffrey Bawa)在斯里兰卡的住所,1960年至1998年

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摘要

This paper discusses the domestic interior of the architect Geoffrey Bawa at 33rd Lane, Colombo, Sri Lanka, created between c. 1960 and 1998. This interior will be assessed in relation to the intellectual technique of "bricolage," a term applied here to conceptualize the furnishing of the home as something that structures space, thereby making it meaningful. Previously, no sustained or critically engaged attempt has been made to assess his interior spaces as locations to "think" a way of living appropriate to the newly independent Ceylon/Sri Lanka. His later domestic interiors, such as his own home, combine "antique" colonial furniture with International Style furniture and contemporary Sri Lankan artworks. Through bricolage, Bawa evolved a new mode of interior design for the island that allowed for the articulation of different narratives, although these narratives were not progressive in the modernist sense - Bawa simply re-arranged what was already there. The interior ofBawa's home is both atavistic and inauthentic. Finally, the postmodern traits apparent in Bawa's home were used as a resource by his peer group to "think" the South Asian, postcolonial domestic interior and to reconfigure the space of home as it is, rather than making it anew.
机译:本文讨论了位于斯里兰卡科伦坡第33巷的建筑师Geoffrey Bawa的住宅内部。分别于1960年和1998年进行评估。这种内部空间将与“ bricolage”的智力技术相关地进行评估,“ bricolage”这个术语在这里用于将房屋的构想概念化为构成空间的东西,从而使其具有意义。以前,没有进行持续或严格的尝试来评估他的内部空间,以“思考”适合新近独立的锡兰/斯里兰卡的生活方式。他后来的室内装饰,例如自己的房屋,将“古董”殖民时期家具与国际风格家具和当代斯里兰卡艺术品结合在一起。巴瓦通过贿赂,为岛上发展了一种新的室内设计模式,该模式允许表达不同的叙事,尽管这些叙事在现代主义意义上不是渐进的-巴瓦只是重新安排了已经存在的叙事。巴瓦家的室内装饰既原始又不真实。最终,巴瓦家中明显的后现代特征被他的同伴用作一种资源,以“思考”南亚后殖民时期的家庭室内装饰,并重新配置房屋的空间,而不是重新建造。

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