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Singapore's ‘Cinema-Age’ of the 1930s: Hollywood and the shaping of Singapore modernity

机译:1930年代新加坡的“电影时代”:好莱坞与新加坡现代性的塑造

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Cinema-going was the most popular form of entertainment in 1930s' Singapore, with an estimated 8000 viewers filling 20 screens each night in the city by 1936. About 70% of films screened were American and many large Hollywood studios had distribution offices in Singapore. A entire supporting field consumption shaped by film fandom culture emerged, from film magazines to sales in gramophone records and wireless broadcasting of popular soundtracks and live performances in dance halls at entertainment parks, called the ‘Worlds’—such as Great World and Happy World. There were diverse reactions to this social phenomenon from different quarters. The colonial government was alarmed at the perceived influence of decadent Hollywood films on a native audience in terms of moral vices and crime. Religious bodies and older members of the local non-European community were brought in to sit on the Cinematograph Films Censorship Annual Committee. Drawing from the Anglophone print media, this paper aims to document local audiences' voices in the highly-debated topic of censorship. The existence of a large corpus of English-language publications produced in inter-war Singapore for a local, non-European audience is testimony to the depth of the domestic, English-language public sphere, which cut across diverse ethnic backgrounds and was based upon a common framework of English-language education and cultural references. This paper will argue that America films played a crucial role in influencing social changes in Singapore, particularly amongst young people and women, as well as in shaping the identity of Singapore as a distinctly modern city.View full textDownload full textKeywordsCinema, leisure, entertainment, consumer culture, cultural entrepreneurship, popular culture, women, youth, race, modernity, colonial Singapore, Malaya, British Empire, HollywoodRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14649373.2012.717604
机译:看电影是1930年代新加坡最受欢迎的娱乐形式,到1936年,估计每晚有8000名观众在该市每晚观看20块银幕。放映的电影中约70%是美国人,许多好莱坞大制片厂在新加坡设有发行处。从电影杂志文化到唱片销售,留声机唱片的流行,以及无线广播流行配乐和娱乐公园歌舞厅的现场表演,整个由电影狂热文化塑造的支撑领域应运而生,例如“大世界”世界和快乐世界。对于来自不同地方的这种社会现象有不同的反应。殖民政府对好莱坞电影在道德恶行和犯罪方面对本土观众的影响产生了震惊。宗教团体和当地非欧洲社区的年长成员被带到了电影摄影电影审查年度委员会。本文采用英语印刷媒体的形式,旨在以备受争议的审查主题记录当地观众的声音。战时新加坡为本地非欧洲人制作的大量英语出版物的存在证明了国内英语公共领域的深度,该领域跨越了不同的种族背景,并且基于英语教育和文化参考的通用框架。本文认为,美国电影在影响新加坡尤其是年轻人和妇女的社会变革以及塑造新加坡是一个独特的现代化城市的过程中起着至关重要的作用。查看全文下载全文关键字电影院,休闲,娱乐,消费文化,文化企业家精神,大众文化,女性,青年,种族,现代性,新加坡殖民地,马来亚,大英帝国,好莱坞Delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14649373.2012.717604

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  • 来源
    《Inter-Asia Cultural Studies》 |2012年第4期|p.592-604|共13页
  • 作者

    Ai Lin Chua*;

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  • 入库时间 2022-08-17 13:13:17

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