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Purchase, pirate, publicize: Private-network music sharing and market album sales

机译:购买,盗版,宣传:私人网络音乐共享和市场专辑销售

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I quantify the effects of private-network music sharing on aggregate album sales in the BitTorrent era using a panel of US sales and private-network downloads for 2109 albums during 2008. Exogenous shocks to the network's sharing constraints address the simultaneity problem. In theory, private-network activity could crowd out sales by building aggregate file sharing capacity or increase sales through word of mouth. I find evidence that private-network sharing results in decreased album sales for top-tier artists, though the economic impact is quite modest. However, private-network activity seems to help mid-tier artists. The results are consistent with claims that word of mouth is stronger for lesser-known artists and that digital sales are more vulnerable to increases in file sharing capacity. I discuss policy implications and alternatives to costly legal efforts to shut down private file sharing networks. (C) 2018 Elsevier B.V. All rights reserved.
机译:我使用在2008年期间美国销售和2109张专辑的私人网络下载的面板,量化了BitTorrent时代私人网络音乐共享对专辑总销量的影响。网络共享限制的外源冲击解决了同时性问题。从理论上讲,专用网络活动可能会通过建立文件共享容量来挤占销售量,或者通过口口相传来增加销售量。我发现有证据表明,尽管经济影响相当小,但私人网络共享会导致顶级艺术家的唱片销量下降。但是,私人网络活动似乎对中级艺术家有所帮助。该结果与以下说法相吻合:声称鲜为人知的艺术家口碑更强,数字销售更容易受到文件共享容量增加的影响。我讨论了关闭昂贵的法律工作以关闭私有文件共享网络的政策含义和替代方法。 (C)2018 Elsevier B.V.保留所有权利。

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