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首页> 外文期刊>IIC:International review of intellectual property and competition law >The Constitutionalization of Intellectual Property Law in the EU and the Funke Medien, Pelham and Spiegel Online Decisions of the CJEU: Progress, but Still Some Way to Go!
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The Constitutionalization of Intellectual Property Law in the EU and the Funke Medien, Pelham and Spiegel Online Decisions of the CJEU: Progress, but Still Some Way to Go!

机译:欧盟知识产权法的宪法化以及欧洲法院的Funke Medien,Pelham和Spiegel在线裁决:进步,但还有路要走!

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摘要

In the first part of the new millennium, the rise of the use of fundamental rights in shaping and using intellectual property norms has led one of the authors of this article to predict that this movement will be "constitutionalizing" intellectual property law. More than a decade and a half later, the influence of fundamental rights on the scope and limitations of intellectual property has never been more important, as illustrated by three seminal copyright decisions (in the Funke Medien, Pelham and Spiegel Online cases) delivered in July 2019 by the Court of Justice of the European Union. These decisions, dealing with the relationship between copyright and freedom of expression (including freedom of the media, information, and freedom of artistic creativity), stand out in the European judicial practice on copyright and fundamental rights for a number of reasons. First, freedom of expression and its balancing factors play a crucial role in shaping the contours of the exclusive rights, starting from the definition of copyright law's subject-matter and extending to the right of reproduction, as well as - most importantly - to copyright limitations and exceptions. In essence, the CJEU takes a quite liberal position towards the national courts' interpretation of existing copyright norms in the light of the freedom of expression requirements. The CJEU goes even as far as to term the Art. 5 InfoSoc exceptions not as "exceptions" as such but as self-sufficient rights of users of copyright-protected subject-matter. It is also notable that, in applying freedom of expression to EU copyright, the CJEU has largely relied on the case law of yet another supranational European court - the European Court of Human Rights - manifesting eagerness to engage in a "dialogue" with the principal human rights tribunal in Europe in order to establish guiding principles for EU copyright law informed by freedom of expression. Such a liberal, "freedom-of-expression-driven" approach of the CJEU to the interpretation of EU copyright appears quite analogue in results that could be reached by applying an external and/or open-ended copyright exception. Nevertheless, the Luxembourg Court indicates in Funke Medien, Pelham and Spiegel Online that an externally introduced flexibility (by means of complementing that already existing in the EU list of exceptions) could be harmful to copyright harmonization and legal certainty. Therefore, despite having taken a more favourable position on the possibility of shaping EU copyright by fundamental rights norms, the CJEU does not go all the way, since it considers in quite categorical terms that an external freedom of expression exception beyond the exhaustive list of limitations of Art. 5 InfoSoc is clearly inacceptable. According to the Court, copyright's own internal mechanisms present sufficient safety valves for balancing with freedom of expression. Such a position of the CJEU that relies on the fact that the legislature has anticipated all the potential conflicts between copyright and higher ranking norms such as fundamental rights might be incompatible with the EU legal order. Thus, despite visible progress in flexibilizing copyright norms via their interpretation "in the light of fundamental rights, some further steps will still need to be taken in the future to make the "constitutionalization" of IP law a complete reality in the EU.
机译:在新千年的第一部分中,在塑造和使用知识产权规范中使用基本权利的兴起促使本文的一位作者预测,这一运动将使知识产权法“宪法化”。十五年后的今天,基本权利对知识产权范围和局限性的影响从未如此重要,正如七月份作出的三项开创性版权决定(在Funke Medien,Pelham和Spiegel Online案中)所说明的那样。 2019年由欧盟法院审理。这些涉及版权和表达自由(包括媒体自由,信息自由和艺术创作自由)之间关系的判决,由于多种原因在欧洲关于版权和基本权利的司法实践中脱颖而出。首先,表达自由及其平衡因素在塑造专有权的轮廓方面起着至关重要的作用,从版权法主题的定义开始,一直延伸到复制权,最重要的是,到版权限制。和例外。从本质上讲,欧洲法院根据表达自由的要求,对国家法院对现行版权规范的解释持相当宽松的立场。 CJEU甚至可以称呼艺术。 5 InfoSoc例外不是这样的“例外”,而是版权保护的主题的用户的自给自足的权利。还值得注意的是,在将表达自由应用于欧盟版权时,欧洲法院在很大程度上依赖于另一个超国家级欧洲法院的判例法-欧洲人权法院-表现出了与主体进行“对话”的渴望。欧洲人权法庭,以建立基于言论自由的欧盟版权法指导原则。欧盟法院对欧盟版权的解释采用了这种自由的,“表达自由驱动”的方法,其结果与通过使用外部和/或开放式版权例外可以达到的结果非常相似。但是,卢森堡法院在Funke Medien,Pelham和Spiegel Online中指出,外部引入的灵活性(通过补充欧盟例外列表中已经存在的灵活性)可能会损害版权的统一和法律确定性。因此,尽管就基本权利规范影响欧盟版权的可能性采取了更有利的立场,但欧洲法院并没有一路走下去,因为它相当断然地认为,外部表达自由例外于详尽的限制清单之外艺术的。 5 InfoSoc显然是不可接受的。法院认为,版权本身的内部机制为平衡表达自由提供了足够的安全阀。 CJEU的这种立场依赖于这样一个事实,即立法机关已经预见到版权和更高级别的规范(例如基本权利)之间的所有潜在冲突可能与欧盟法律秩序不符。因此,尽管在通过“根据基本权利的解释”来灵活化版权规范方面取得了明显进展,但将来仍需采取一些进一步措施,以使知识产权法的“宪法化”成为欧盟的完整现实。

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