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It's Not Just about Drawing and Language ... It's Really about Reconceptualizing the Roles of Nature and Nurture

机译:这不仅仅与绘画和语言有关……还与对自然和养育的作用重新概念化有关

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'Explaining "I can't draw"' by Neil Cohn [this issue] presents a very interesting review and theoretical perspective on the 'drop-off in drawing ability that occurs at puberty. The title 'I can't draw' immediately resonated with me because I really can't draw. My mother, on the other hand, was an artist - she really could draw. She could draw pictures that accurately represented the images that she intended to represent. My drawings are those classic stick figure people and rectangle houses topped by a triangle that Cohn talks about as being part of a common (possibly universal) graphic lexicon. My explanation for why I can't draw is that I didn't inherit my mother's special 'artistic' genes. So there you have it: the very theoretical bias that underlies people's beliefs about the development of drawing - in my own backyard, if you will. Cohn is suggesting that this is our belief about being able to draw - it is an entity that is fixed.
机译:尼尔·科恩(Neil Cohn)[本期]的“解释“我不能画画””对“青春期画图能力的下降”提出了非常有趣的评论和理论观点。标题“我不会画”立即引起了我的共鸣,因为我真的不会画。另一方面,我的母亲是一位画家-她确实可以画画。她可以画出能准确代表她打算代表的图像的图片。我的画作是那些经典的简笔画人物和矩形房屋,上面放有一个三角形,Cohn谈到这些三角形是普通(可能是通用)图形词典的一部分。我之所以不能画画,是因为我没有继承母亲特殊的“艺术”基因。这样就可以了:如果您愿意,在我自己的后院中,这是理论上的偏见,它是人们对绘画发展看法的基础。科恩(Cohn)建议,这是我们对绘画的信念-它是固定的实体。

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